Emanuele de Raymondi is a composer and sound artist based in Rome (b. 1976).

His work centres on concert music. Vexilla, a song cycle for voice and electronics on texts by Dante, Petrarch and d’Avalos, sung by Gaia Mattiuzzi, is released in November 2026 as the first title of his own label, Nemo6a. Naive Bayes (2022), recorded with the ensemble Sentieri Selvaggi conducted by Carlo Boccadoro, explores the dialogue between acoustic writing and machine intelligence. His debut, Buyukberber Variations (2012) with Turkish clarinettist Oguz Buyukberber, opened the electroacoustic path he has followed since. The Human Song, a cycle for solo piano written for Andrea Rebaudengo, is forthcoming.

In March 2026 Dior chose Triptique — a piece for violin and electronics from Naive Bayes — for Jonathan Anderson’s first womenswear show at the Jardin des Tuileries in Paris. The piece was written for the concert hall; Dior’s music agency found it on the album.

A decade-long collaboration with photographer Lorenzo Castore has produced, among other works, the films Ultimo Domicilio and W, presented at MACRO, Rome. In 2014 his music was danced alongside Debussy and Vivaldi at Gagosian, Paris, in a ballet choreographed by Benjamin Pech, étoile of the Opéra National de Paris.

For cinema he has scored Cuori Puri by Roberto De Paolis (Cannes Film Festival, Quinzaine des Réalisateurs 2017), Saro by Enrico Maria Artale (Best Documentary, Torino Film Festival 2017), Arianna by Carlo Lavagna (Venice Film Festival 2015) and Princess by Roberto De Paolis (Venice Film Festival). His music has been featured in campaigns for Blade Runner 2049 and Sofia Coppola’s The Beguiled. Two new feature scores were completed in 2026.

With the Paris-based collective Danny Rose he has created large-scale immersive sound works presented in Paris, Tokyo, Sydney, Shanghai and Montreal, including Inside Plasma at the Centre Pompidou (2018).